A wide golden-hour view of a high, dry Tibetan cliff above a broad river valley. Small on a ledge, Guru Rinpoche in his lotus hat stands beside a cleft in the rock while Yeshe Tsogyal, in white robes and a red shawl, kneels to place a small stone casket inside it.
AncientTraditional accountLine 7 · Blessing

The Hiding of the Treasures

Near the end of his years in Tibet, the traditional accounts say, Guru Rinpoche began to think less about the people in front of him and more about people who had not yet been born. He had taught kings, translators and yogis. What about the ones who would come a hundred years later, or a thousand?

The answer the tradition gives is one of the most beautiful ideas in Tibetan Buddhism. He and his closest disciple, Yeshe Tsogyal, are said to have hidden teachings away, like seeds stored for a spring that was still far off. These hidden teachings are called terma, which means "treasure."

Teachings for a later time

Why hide a teaching at all? The scholar and lama Tulku Thondup, as Rigpa Wiki summarizes him, gives the tradition's reasons: so that the deepest teachings would not be mixed, diluted or lost, and so that their blessing would reach later followers fresh, as if newly given.

Yeshe Tsogyal was the keeper. Rigpa Wiki remembers her for an unfailing memory: she is said to have gathered every teaching Guru Rinpoche gave in Tibet. Night after night, in the life stories, the two of them sat in mountain caves, and what he taught, she held.

Inside a small rock cave at night, lit by one butter lamp, Guru Rinpoche sits on a felt-covered rock and speaks while Yeshe Tsogyal, seated across from him in white robes and a red shawl, listens intently. Moonlit snow peaks show through the cave mouth.
Yeshe Tsogyal is remembered for an unfailing memory: what he taught, she held.

The Wish-Fulfilling Tree, a treasure biography revealed by Chokgyur Lingpa in the nineteenth century, tells it in Guru Rinpoche's own voice. He wrote the teachings down, it says, in five kinds of writing on scrolls of five kinds of material, and placed them in wondrous caskets.

Yellow scrolls

In paintings and stories these are often called the yellow scrolls, because most are yellowish or golden paper, though Tulku Thondup notes that they can be of any colour or size. They usually rest inside a small sealed casket of stone, wood or precious metal.

A close-up by lamplight of two hands lowering a small, tightly rolled yellow scroll tied with red thread into a hand-sized stone casket lined with red cloth.
Treasure scrolls are often yellow paper, sealed in a small casket; the tradition says their script is only a key.

What is written on them is not ordinary writing. The tradition calls it dakini script, a symbolic code. A dakini is a female embodiment of awakened wisdom, often pictured as a sky-dancer. Sometimes a scroll is said to hold a single syllable, sometimes a phrase, sometimes a whole text.

And here is the surprising part. Tulku Thondup stresses that the script is only a key. The scroll does not contain the teaching the way a book does. It wakes the teaching up, out of the mind of the one destined to find it.

Rock, lake, temple and heart

Where were the treasures hidden? Everywhere, the accounts say. The Wish-Fulfilling Tree lists temples such as Lhasa and Samye, caves such as Sheldrak in the Yarlung valley and Yerpa, snowy ranges such as Lapchi, and twenty-five sacred places in the east of Tibet. Other accounts speak of mountains, lakes and caves as well.

Seen from high above, a huge still turquoise lake at dawn mirrors pink snow peaks. Tiny on the stony shore, Guru Rinpoche stands while Yeshe Tsogyal kneels and lowers a small casket into the water.
The accounts say treasures were hidden in lakes as well as in rock.

Treasures hidden in the physical world are called earth treasures, sa ter. They may be scrolls, statues or sacred objects, tucked into a cleft in a cliff, sunk in a lake, or sealed inside a temple wall.

In a dim temple hall with dark wooden pillars, Yeshe Tsogyal kneels in a shaft of window light and slides a small wooden casket into an opening in the wall at the foot of a pillar.
Temples such as Samye are named in the life stories among the places where treasure was concealed.

But the tradition speaks of a quieter hiding place too. Some teachings, it says, were concealed in the minds of the disciples themselves. These are mind treasures, gong ter. No scroll is needed to find them. Centuries later, a sight or a sound in a vision is enough, and the teaching rises from within.

Rigpa Wiki describes this as a joining of master and disciple: the teaching was sealed in the very nature of the disciple's awareness, and Guru Rinpoche made aspirations that it would be found when the time was right.

A close portrait of King Trisong Detsen in his tall cream turban, eyes closed and face peaceful, lit by soft morning light against blurred red rock.
Some teachings, the tradition says, were hidden in the minds of the disciples themselves.

Sealed with aspiration

That word, aspiration, matters. In the tradition's own account, a treasure is not simply buried. It is passed on through three special kinds of transmission, which Tulku Thondup describes.

First is the aspiration-empowerment, the sealing of the teaching in the disciple's mind together with a heartfelt prayer. Second is prophetic authorization: a prophecy that this disciple, in some later life, will be the one to reveal it. Third is entrustment to the dakinis, who, with the protectors of the teachings, keep watch over the treasure until its time.

At twilight on a high cliff ledge, Guru Rinpoche and Yeshe Tsogyal look up at five dakinis in white, blue, yellow, red and green silks on glowing clouds; one dakini holds a small casket to her chest.
In the tradition's account, each treasure is entrusted to the dakinis until its time.

So each treasure, the tradition says, carries a time, a place and a person. Rigpa Wiki notes that for each one Guru Rinpoche foretold when it would appear, who would reveal it, and who would hold its teachings.

The prophecy

In The Wish-Fulfilling Tree, Guru Rinpoche looks down the centuries. Hard times will come, he says, and the teachings will be torn down. But the king and the disciples now present will return, because of their aspirations, as treasure revealers: a hundred great ones and a thousand lesser ones, until every district has its own.

These revealers are called tertöns. Rigpa Wiki counts the first as Sangye Lama, born around the year 1000, and names five as especially great, from Nyangral Nyima Özer in the twelfth century to Jamyang Khyentse Wangpo in the nineteenth. The line, it says, has continued to the present day.

Seen from below at dawn, a lay yogi with long hair in a topknot and a white shawl with red borders stands on a cliff ledge in front of a cleft in the rock, holding a small rolled yellow scroll to his heart.
The prophecy said disciples would return in later lives as treasure revealers, tertöns.

The pass of Gungthang

Then it was time to go. The life stories say Guru Rinpoche told the Tibetans that his work among them in that body was done, and that he must travel to the southwest, to tame the rakshasas, fierce beings who, the accounts say, threatened the human world.

The young prince wept and begged him to stay. In The Wish-Fulfilling Tree the prince is comforted only when Guru Rinpoche explains what he is leaving behind: likenesses for his body, treasures for his speech, and his heart's realization entrusted to destined heirs.

A great company walked with him to the Gungthang pass in Mangyul, on the border with Nepal, where he had first entered Tibet. There, the accounts say, he gave his last advice.

From high above, a crowd of Tibetans in long robes and turbans gathers in a crescent on a sandy mountain pass around the small seated figure of Guru Rinpoche, with tents nearby, dry grasslands to one side and a forested valley to the other.
The life stories say a great company walked with him to the Gungthang pass in Mangyul, where he gave his last advice.

How he left depends on who is telling it, and the tradition keeps every version. Rigpa Wiki relates that in the Zanglingma, the earliest of the great life stories, he rode away on a beam of sunlight. Others saw a divine horse, or a lion. The Wish-Fulfilling Tree has him mount a fine horse held aloft by four dakinis.

Looking up into a gold and rose sunset sky, Guru Rinpoche rides a white horse through the clouds, its hooves held up by four small dakinis in coloured silks, and turns his face back toward the mountain pass below.
The accounts differ on how he left: on a sunbeam, a lion, or a horse borne by dakinis.

In one telling the disciples, sitting in meditation, watched him grow smaller and smaller in the sky until he was a speck. Rigpa Wiki recounts that he looked back from the southwest and sent his disciples a ray of loving kindness.

The tradition says he went on to the Copper-Coloured Mountain, Zangdok Palri, and that he dwells there still, in a palace of lotus light.

Across a calm twilight ocean, a far-off steep mountain glows copper-red on a misty island, with a tiny palace of golden light at its summit and a faint rainbow above.
The tradition says he dwells still on the Copper-Coloured Mountain, in a palace of lotus light.

A promise

Before he rode away, the tradition holds, he left one more gift: a promise. In The Wish-Fulfilling Tree he tells the Tibetans that he will return each month for their sake, especially on the tenth day of the monkey month. His last words there are simple: "Call upon me, don't forget!"

Other treasure texts, which Dudjom Rinpoche gathered in a short work on the tenth-day festival, give the promise in other words: that he will come on the tenth days, and that whoever remembers him will never be apart from him. The tradition holds, in short, that he said he would come to anyone who calls on him. Many practitioners treasure these words. They are a promise of presence, of companionship, rather than of any particular result.

A small brass butter lamp burns beside a wooden mala on a window ledge at night, with dark rooftops and the first faint dawn light over distant mountains beyond the glass.
The tradition holds that he promised to come to anyone who calls on him.

Two ways of looking

Scholars study the treasure tradition with great care, alongside the tradition's own account. Janet Gyatso has written about it as a Buddhist theory of how scripture is passed on, in which a sign such as a scroll awakens memory. Andreas Doctor has surveyed the revelations of one tertön, Chokgyur Lingpa, and the tests Mipham proposed for telling true treasures from false.

Jacob Dalton has traced how the stories of Guru Rinpoche grew, using tenth-century manuscripts from the Dunhuang caves. Their work shows a tradition that developed over many generations, and it sits beside, not against, the devotion of those who read the treasures as his living voice.

Either way, something remarkable is true. For roughly a thousand years, people in the Himalayas have felt that this teacher did not leave them alone. The seventh line of the Seven-Line Prayer asks him to come and grant his blessing, and the tradition answers that he said he would.

About the art

Guru Rinpoche appears in his main form: the lotus hat with a half-vajra, a sun and moon and a single vulture feather; layered robes; a five-pronged vajra at his heart in his right hand; and a khatvanga, a slender staff crowned with a trident, resting against his left shoulder. On this page he is mostly shown standing on a ledge, by a lake or riding through the sky, because the story finds him travelling. In the farewell he rides a white horse borne up by dakinis, as in a seventeenth-century painting of his departure from the Gungthang pass on Himalayan Art Resources and in The Wish-Fulfilling Tree.

Yeshe Tsogyal is shown as a yogini in simple white robes and a red shawl, the form the tradition remembers for her years of practice and for gathering and concealing the treasures. The dakinis wear silks in the five colours (white, blue, yellow, red and green) that stand for the five kinds of awakened wisdom; teachers explain their meaning more fully. King Trisong Detsen wears eighth-century Tibetan imperial dress. The treasure revealer of scene 8 is a generic lay yogi, not a portrait of any particular tertön.

The yellow scrolls are always painted plain, with no writing. In the tradition they carry dakini script, a symbolic code that is said to work as a key rather than a text, and no painting could render it truly. The caskets are plain and small. The Copper-Coloured Mountain is shown only from far away, glowing copper-red with a palace of light on its summit, as in Himalayan paintings of Guru Rinpoche's pure land, without the many figures and inscriptions those paintings contain.

Why this matters for practice

The seventh line of the Seven-Line Prayer asks Guru Rinpoche to come and grant his blessing. The treasure tradition is, in a sense, the story behind that request: a teacher who prepared for people he would never meet in that life, and who, the tradition holds, promised to come when called. For many practitioners, reciting the prayer is simply taking up that invitation.

If something in this story stirred you, you might take the old promise at its word tonight, and recite the Seven-Line Prayer once, as a way of calling on him. Anything beyond recitation is best explored with a teacher.

Sources and further reading

This retelling is waiting to be read by a knowledgeable practitioner. Where the traditional accounts differ, the story says so; if you notice a mistake, please tell us through Share Your Story.